owl & crow

stephanie anderson ladd

I Am the Fool

Posted By on October 18, 2015


I am the Fool, just like in the tarot deck, the one who is ready to step off into the unknown, to begin a new journey. I’d love for you to put on your fool’s cap and join me. I have been studying and playing with the tarot for a while and decided to dive in and work with the archetypes in a different way — by creating my own archetypal images of the major arcana using SoulCollage®. I have created an online course that will last for 22 weeks, starting on January 10, that will allow us to make a different SoulCollage® card each week as we start at 0, the Fool, and progress through the Major Arcana until we end at 21, The World, where we will no doubt have learned a lot about ourselves and changed a little in the process.

If you don’t know what SoulCollage® is, go here for more information: What Is SoulCollage? If you are interested in learning more about the tarot, haven’t tried SoulCollage®, and would like to try your hand at creating your own Major Arcana cards, this would be an easy and fun way to dive in — like The Fool, stepping off the precipice.

Some of the first SoulCollage® cards I made were recognizable to me as archetypes from the tarot such as The High Priestess, The Empress, The Magician, The Lovers, and Death. They just came through instinctively, but since making these early cards, other iterations have wanted to come forward. Lately, I have been playing with some of the symbols found on classical tarot decks such as Rider-Waite-Smith, and intuitively finding my own meaningful symbols to add.

When beginning the tarot journey, it’s a good idea to get familiar with the 22 cards in the Major Arcana —  the archetypes that symbolize life’s journey from the Fool or beginner to the integrated human represented by The World Dancer. As you gaze at the 22 cards, ask yourself: Which card resonates with me the most? Which card most intrigues me and which am I most repelled by?

The Fool has always made me happy, even excited. Oh, good, I am about to start a journey! Oh yeah, I am reminded, I don’t know anything about this new adventure, and I get to learn. This archetype says that it is okay to not know, to make mistakes, to take risks, as I’m doing with this course. I have been leading e-courses on goddess archetypes — scaling the heights and plumbing the depths of the divine feminine for the past few years, and I felt ready to make a detour. When I turned 60 this year I felt something inside of me shift and I took a pause from my usual and expected course. In fact I stopped doing what I thought I should do and just let myself be. The Fool came back to me as a starting point.


I made this first Fool card when I started my journey with the goddess archetypes about 5 years ago. I called her The Crone Fool because here I was in my mid-50s embarking on a creative journey that I knew not where it would lead, but I knew it was where my soul needed to go. The prancing, youngish-oldish woman on the top of the mountain danced on a whimsical, colorful background that my daughter created when she was 10 years old. I gave my Fool wings that have the word magic on them. She’s wearing a crown, signifying her queenly status and divine inspiration; yet she is playful and joyful, unconcerned about what she should be doing or how she should be acting at her age. That resonated with me. The white dog symbolized purity and instinctual nature, the loyalty of the imaginative realm, once engaged. She is in movement, as the Fool is usually depicted — active, and on her way. One of the things I started doing at this same time in my life, is going on pilgrimage with other women to other parts of the world to encounter the sacred feminine soul and spirit of the land in Greece, England, and this year, Ireland. While on pilgrimage we are The Fool, traveling light with our knapsack, containing both inner and outer tools needed for such a trip, ready to foray into the Unknown, learning about people and places, and encountering the Self in liminal space and time.

As a therapist I am struck by how often people reveal their biggest fear is when they face the unknown and are about to try something new, because inherent in that fear is the possibility of looking foolish, of making mistakes and being judged for them. There is a little inner smile that I wear when I hear about these fears, for they are universal and certainly ones I have experienced as well, but so often signaling the call to adventure. This is the first stage of the hero’s or heroine’s journey as Joseph Campbell delineated. It requires that we don’t know. It requires that we enter the mystery. It requires that we start something or start over. For only then can we ever hope to know ourselves, to grow and change, to experience life in its full range of musicality–the high and low notes and everything in between. It requires that we make mistakes, that we fall down, that we see ourselves from that position, ignominious as it may be. It requires that we relinquish our pride for a moment and laugh at ourselves. It requires that we stop caring what others may think. It requires that we return to beginner’s mind, and in a sense, throw caution to the wind and take a leap of faith. It is one of my favorite cards.


I made another card as I began this new journey, this time with an androgynous figure — containing wholeness, both masculine and feminine qualities — against a background of yellow, symbolic of the sun, of unlimited potential, divine intelligence, a spiritual journey. It seems apparent that this youngster is going to grow and change, that he/she is spontaneously walking forward toward consciousness, with mountains to climb and a willingness to step off the cliff, the little dog of instinctual nature nipping at his heels, eagerly urging him on. The youth is looking up, not down at the path or lack thereof, inspired by the warmth and shining rays of the sun. He is holding a rose, symbolic of the heart and the unfolding Self.

The Fool is the Number 0, the one who contains wholeness within the seed, the one who will come full circle, the one who is all and nothing, the beginning and the end, the one who is the mandala, the cipher, the eye of God. For it is true that within every wise man is a fool and within every fool, a wise man. We are the one and the many and life lies before us if we will but begin.

So here we go! Hop on your cosmic chariot and join me in the New Year of 2016 as we learn about the tarot and it’s symbolism, history, alchemical and mystical-religious origins, explore 22 different tarot decks, and most importantly create archetypes and reflections of our own soul, as we advance on the journey towards wholeness.



Go here to register: From Fool to World Dancer: The 22-Week SoulCollage® Journey











From The River’s Edge: Life Lessons, Dreams and Reflections

Posted By on March 29, 2015


I’ve been in hibernation and am only beginning to yawn and stretch and come out of my cave. I’m moving slowly, feeling my way. I made the decision in late fall to stop what I had been doing for the past four years, which included birthing a goddess workbook and leading goddess e-courses. I sensed that a cycle was coming to a close. It was not just this creative cycle that I felt needed to come to completion, it was also a life cycle that I felt winding down. I have been moving through my second Saturn Return, which occurs every 29-30 years, when Saturn, whom we could think of as Father Time, himself, comes back around (in our natal chart) to see how we’re doing. It is a time to review and take stock of who we are and where we’ve been and where we want to go next.

And for me, the time had come to just Be, not Do. I want to write a book about the 13 goddesses I have been exploring and teaching, but first I needed to empty out. It was not so easy to quiet the nagging voices that wanted me to be productive and get this accomplished or that taken care of. But I stopped pushing and prodding, I stopped creating urgency and unease with To-Do lists. I let myself be the hollow bone for spirit to flow through.


I began asking myself “What do I want to do?” rather than telling myself what I should do. And many times the answer was Do Nothing or Do What Spirit Calls You To Do Today, which might mean taking a walk, cooking a nourishing meal, reading by the fire, dancing, and sometimes it was creating a SoulCollage® card. I knew that this intuitive process I have been doing for a dozen years now would help me work with the energies surrounding me and discover what was rumbling beneath the surface.

I began pulling a card from my deck every day, a practice I had stopped doing for awhile. If you’re not familiar with SoulCollage, in essence you are creating a deck of cards, much like your own personal tarot or oracle deck, by collaging found images that reflects You in your many parts, like a multi-faceted diamond.

Two cards popped up for me more than once while I was in my dreamy, quiet, state of rest. They are cards from the Committee Suit, which represents our various personality parts, sometimes known as sub-personalities, as well as the many roles we play in life. My first instinct was to ignore them as they did not reflect where I was now and I didn’t even want to go there, but I realized they were trying to get my attention and there was something I needed to see about where I had been.

The first card, shown below, is The One Who Perseveres. This card represents the struggle, the will to go on even when it’s hard, the obstacles to overcome, and the difficult balancing act of work and life. I made this card some years ago and now I saw it with new eyes. While it illustrates the feminine warrior in me persevering through various challenges in life, it also shows a woman in the foreground seated in a peaceful, meditative pose. Mother Mary is there, too, hidden in the dark stones, suggesting a blessing within such striving, a peace to come. That time has come for me. One of the things I have learned to do in creating a workbook and 3 years of courses on the divine feminine is to not make it harder than it needs to be. I think when we start out we often do things the hard way, striving more than we need to, often giving more than is called for. Over time, I eased up and found ways to work smarter, not harder.


The second card is The Overwhelmed One. She is always running, trying to catch up, and feels there is too much to do and not enough time. She lives in her head and feels disconnected from her body. This time when the card showed up I realized how I have been doing so much on my own without help, feeling weighed down. I recognized how good it feels to release my burdens, to have beginner’s mind again, and to ask for what I need and give it to myself.

A new understanding came from looking at the card this time–that I wanted to collaborate more so that I am not trying to do it all by myself, which can feel isolating and exhausting. Last fall I felt inspired to initiate a regional SoulCollage facilitators group in the Carolinas, but this time I asked a friend and colleague, Glenda Cedarleaf, to co-create it with me. We had fun putting our heads together and bringing it to fruition. And out of that collaboration a weekend retreat we’re calling A River Runs Through Us began to take form, which we will co-facilitate in the fall in New Bern, North Carolina, on the Neuse River (see details below).


And this brings me to the theme of the river and a Big Dream I had recently. Big dreams are the memorable ones that get your attention, that have a sense of the numinous, in which a supernatural entity, event, or divine presence appears and often signifies a turning point in life. In my case, it was an evolutionary dream from the recurring ones I have had of being in a river, swimming with the current, aware that there are beings in the water with me, usually beneath the surface. I am frequently scanning the shore, getting my bearings, checking my progress, but swimming on.

In my early dreams I was afraid of the creatures in the water with me, increasingly aware they were crocodiles, but over time and with active imagination work (encountering the beings and dialoging with them on a conscious level), I knew Mother Crocodile to be a protector, a guardian of my root chakra, who would buoy me if needed, and help me not only survive but thrive in the river of life.

In the latest dream, I found myself on the river’s edge this time, as if having finally made it to shore, and there was no sense of striving and surviving. There were three women: The Triple Goddess that was me–maiden, wading in the shallow waters, mother, floating out further in the river, and me, the crone now, standing on the river’s edge–both observer and participant. Something sacred was happening on the right bank: a mother lion made of shimmering golden light was giving birth.


We were all three watching in excitement and awe. And soon the luminous newborn lion swam out into the river, growing bigger as he came towards us. I let the mother goddess in the water know that it was coming up on her right. She looked over her shoulder at it, smiling, unafraid. Now it’s on your left, I told her, as it passed by behind her, and she looked there to see it swim on into the river of life, gracing us with its illuminated presence.

Then I, standing on the shore, was face to face with the lion-headed goddess, Sekhmet, who has a woman’s body. She, too, was radiant and surrounded by light as she looked into my eyes. I knew it to be an initiation into a new chapter of my life as Sekhmet is the crone aspect of the Egyptian triple goddess.


She placed a shining crown on my head and spoke these words:

“You are where you need to be. You have reached the river bank and you can rest here. You can return to the river when you need to and be in the flow whenever you want. It is a choice now. This is your baptism into Cronedom.”


And so I accept the crown as the wise and beautiful crone, able to swim in the river of life and step out and rest by the river’s edge, as I wish.

If you enjoy SoulCollage® and would like to join us for a weekend retreat on the wide and beautiful Neuse River this fall, click here to learn more and to register: A River Runs Through Us

The Priestess of Memory

Posted By on July 7, 2014

There has never been a time
when you and I have not existed…
There will never be a time
when we will cease to be

~ from the BHAGAVAD GITA

This morning as I took a meditative walk on a beautiful, mild, summer day with my old dog, Maggie, I thought about the cycles of the seasons, of life, death and rebirth. I felt the awesome power of life being experienced in a single moment, deep in my bones, which is not surprising given that we’re in the month ruled by Cancer, archetype of the Great Mother. This is a time when we are often more aware of emotions washing over us like ocean waves, flowing in, baptizing us, and then just as surely flowing back out to sea. There is no need to do anything other than notice and accept the inevitable tides.

I have come to see I am in the autumn of my life and I am beginning to accept that I must slow down and take pause, experience more of the present moment and less frantic hurrying to the next. It hasn’t been an easy surrender, and I am not sure I am even there yet, as I still have things to do. But there is a subtle shift taking place within me, a shift of perception, a need to turn the prism lens and see things differently, to allow new ways of being to take hold. 

The ritual of taking a morning walk begins with Maggie, our black lab, dancing around me eagerly when she sees me putting on my shoes. I don’t dare say out loud that we’re going for a walk or she will bark incessantly, unable to suppress her excitement. I am aware of the time I spend with her now as I know that at 11 years old, she doesn’t have many years left with us. Yet she still has plenty of puppy energy even though her chin has turned white with age. (I am starting to see the similarities between us.) She has become more protective of me lately and follows me around the house, always close at hand, usually napping contentedly, while I cook or read or work at the computer. When I leave, she curls up on the rug by the door to await my return. Thoughts of Maggie’s presence in my life and the gratitude I feel for her companionship shift as I walk with her down our shady street to thoughts of my mother and father.


Yesterday, my husband, Rob, and I rode our bikes the half-hour trek on country roads to the Honeysuckle Tea House for a Sunday sup. When we walked into the peaceful, open-air teahouse, the medley Somewhere Over the Rainbow/What a Wonderful World by Israel Kamakawiwo’Ole was playing. This song is one I have designated as my dad’s song as he loved the song, What a Wonderful World. Rob and I exchanged a smile and my eyes welled up with tears. It is a song that is reflective of my dad’s optimistic and appreciative view of life. I feel fortunate that I had a father who would say to me, “Life is beautiful. Every time you hear a bird sing, remember that.” He told me that my grandfather opened his eyes as he lay dying and spoke his last words, assuring him “It’s beautiful.”

My thoughts of my mom have been more and more about the gifts she gave me even though I spent much of my adult life focused on what I didn’t get from her and longed for. My life’s journey, and indeed, my soul’s purpose, I believe, has been to heal the mother wound that was passed down, through her and through my grandmother that originated who knows how many generations back. I feel that wound is healed now and I feel deep forgiveness for her unintentional emotional abandonment as she did not know what to do with her own feelings of loss, nor did her mother, and so it went back through time.

The gifts my mother gave me were of a fertile and active imagination and the need to seek a deeper spiritual understanding of the world. As I walked this morning, I remembered how she comforted me at night when I had restless thoughts of spirits in my bedroom and feverish dreams of other worlds. She rubbed my back and taught me a prayer that began, “Father Mother God loving me…” These were the seeds of the divine feminine taking root in my psyche that would later provide the soothing balm to the ancient mother wound. I believe the reparative work she helped facilitate healed back generations of women in my family and forward to my daughter and for generations to come.

I see now that it didn’t begin with me. She was trying to heal, too, and so was my grandmother, but they had fewer resources, opportunities, and support systems. It may have been an evolutionary process: They tried to find answers in the best way they knew how and passed on what wisdom they could. Perhaps it was left for me to pick up the threads and weave them together in such a way that a tapestry was formed of interconnected lives in which boundaries of time and space are but an illusion. And perhaps there will be dangling threads for my daughter to pick up and sew as well. Perhaps these are my gifts to her, and so it goes…

“Your soul is the priestess of memory, selecting, sifting, and ultimately gathering your vanishing days toward presence.” – John O’Donohue, Anam Cara

Please consider joining me for my latest soul offerings as your guide on The Heroine’s Journey:

Artemis course – one month journey with the ancient Great Mother & Goddess of the Moon and Hunt, who teaches us to embrace our instinctual, untethered, wild feminine, beginning July 26, 2014

Relationship Rebirth – The Inanna Journey – 3 month one-on-one guidance to help you heal old wounds from childhood and past relationships and reclaim your loving, feminine radiance



Of Goddesses & Heroines

Posted By on May 28, 2014

As most of you know, I am a goddess devotee and love nothing more than exploring the archetypal qualities of the goddesses from every culture and corner of the world. Why? Because in our patriarchal society, we are lacking models of the divine feminine and because it helps us understand ourselves as women when we look at the stories and attributes of the various goddesses throughout time. I probably don’t have to tell you that we women are complex creatures and carry a lot of magic and mystery within our very bodies and souls. For example, we carry the archetypal qualities of birth, death, regeneration, transformation, receptivity, nurturance, wisdom and love. And getting to know and understand the myriad goddess archetypes, each with their own singular set of attributes and patterns of behavior, we begin to comprehend the multi-dimensional nature of the feminine and what it means to be spiritual beings on a human path as much as human beings on a spiritual path.


Vasilisa the Brave by Ivan Bilibin

It all started for me with a love of stories, particularly myths, folk and fairy tales, which began, as for most of us, in early childhood. I eventually started realizing that the fairy tales derived from the ancient myths. For example, the Russian fairy tale, “Vasilisa, the Brave,” about a little girl who goes into the forest to meet the witch, Baba Yaga, who gives her three tasks to perform to earn her stripes bears many similarities to the Greek myth of “Psyche and Cupid.” The mortal girl Psyche must win the right to become a goddess and marry the god of love by performing three tasks set by Cupid’s mother, Aphrodite, the goddess of love and beauty. And Snow White could sub for Psyche and Aphrodite for the wicked Queen who is jealous of Snow White’s beauty. Reading these tales of mischief-making and derring-do thrilled and enthralled me. Here were brave girls performing acts of courage and heroism using their wits and cunning. The ancient myths provided examples of women of  wisdom and power who often challenged other women and goddesses to rise to the occasion of their full being, to use the unique gifts bestowed upon them, and to lead with confidence once they had met the challenges before them.

Aphrodite & Psyche

Aphrodite and Psyche by H.J. Ford

I have discovered the joy of getting to know the particular stories and qualities of the goddesses, which has led me to teaching other women through my Goddess Temple e-courses how to use these archetypes to better understand themselves as mortal women and to see the goddess within. I have shelves of books about goddesses and one of my favorite and oft-used, go-to references is the Encyclopedia of Goddesses & Heroines by Patricia Monaghan, Ph.D, which was first published in 1981 and has gone through several editions. So imagine my delight when I was asked to review the latest revised edition, published by New World Library, released this year.


It has a beautiful cover image by Tracy Cunningham of a red-haired maiden in the mode of John Waterhouse, which deliciously invites you to open the pages and behold the array of goddesses to be found around the world. In a helpful departure from the original edition, over 1,000 goddesses are categorized by continents and countries, and alphabetized within each geographical section. Each section contains an Introduction, which gives you an overview of that particular culture and its history of goddess worship, beginning with the African pantheon, followed by Eastern Mediterranean, Asia and Oceania, Europe, and the Americas.

The European pantheon is the most prolific and detailed, covering The Baltic, The Celtic World, Finno-Ugric Cultures, Greece, Rome, Scandinavia, Southeastern Europe, and the Slavic Peoples. The Asia and Oceania section is next in size with six sub-categories including China and Korea, Circumpolar North, India, Southeast Asia and Indonesia, Japan and The Pacific Islands and Australia. These are even further divided into sections such as “Hindu and Buddhist Pantheon of India, Nepal and Tibet.”

In this book you will find well-known and beloved goddesses as well as little-known and obscure goddesses, such as Vac, the Hindu Goddess of eloquence and abundance and inventor of the Sanskrit language. We learn that she is a form of Sarasvati, the more familiar Hindu goddess of the sacred arts and sciences, who is usually depicted holding the book of knowledge, a musical instrument called the veena, and a rosary. 



As described in the Introduction to the book, goddesses come in many forms and represent many different aspects of the feminine. For example, “Goddesses can appear as young nymphs, self-reliant workers, aged sages. They can be athletes or huntresses, dancers or acrobats, herbalists or midwives. We find goddesses as teachers, inventors, bartenders, potters, surfers, magicians, warriors and queens. Virtually any social role women have played or are capable of playing appears in a goddess myth.” That’s what I love about this compendium. You really get to see the full gamut of human expression and behavior embodied in these supernatural archetypes. Some goddesses are summarized in a paragraph while others are given a page or more, depending upon the breadth of knowledge and available record of these feminine deities.

There is an extensive index in the back of the book that helps you locate individual goddesses by name as well as categories of goddesses, such as fire goddesses, grain goddesses, household goddesses, mermaids, etc. The bibliography is replete with primary textual, as well as oral, and other sources of the legend and lore provided in the book. This edition makes cross-referencing easy as goddess’s names, whenever mentioned even within the context of another goddess’s description, are in bold print. I find this encyclopedia to be much more user-friendly and easy to access than the previous one.

Patricia Monaghan, who died in 2012, was a feminist scholar, poet and author, who wrote over 20 books on goddess and earth-centered spirituality, as well as books that explored her Irish roots and extensive knowledge of Celtic mythology. There are few reference books on goddesses around the world, and Patricia Monaghan’s Encyclopedia of Goddesses and Heroines is a must-have resource for lovers of goddesses, their history and lore, as well as for those who seek to understand and write about feminine spirituality and archetypes.

If you would like to join me and a tribe of women seekers and  sages as we explore the Greek Goddess Artemis in the 2014 New Moon Goddess Mystery School beginning July 25, 2014, click here.




Inanna, Goddess of Love and Sacred Sexuality

Posted By on April 9, 2014

Inanna by Lisa Hunt

Inanna by Lisa Hunt

The New Moon in Taurus will be arriving at 2:14 a.m. on April 29 (EDT) about the same time as the solar eclipse, 2:04 a.m. (EDT), signaling a powerful time of initiation into the mysteries of sacred sexuality and feminine empowerment. The perfect time to start our personal work with Inanna in my 2014 New Moon Goddess Mystery School. Taurus’s ruling planet is Venus and the planet’s journey across the sky and enigmatic appearance as both the morning star and evening star is the basis of the Goddess Inanna’s story of traveling to the Underworld and back.

If you don’t know, Inanna is an ancient, Sumerian goddess who predated Aphrodite/Venus as the Goddess of Love. So Inanna is the original source of the embodiment of love and beauty and the innate life-giving power of the feminine.

2013-10-02 13.39.11-1

Also known as “Queen of Heaven and Earth,” Inanna was a unifying force of opposites. She was a goddess of love and war, sexuality and sacredness, earth and sky, hill and valley, light and dark, life and death. She was seen as both woman/priestess/queen as well as divine goddess. The poems and hymns that were written about her, some of the very first written documents existent, inscribed on clay tablets in cuneiform, dating from 2500 BC, tell of a great love story between her and the shepherd, Dumuzi, who became king. We will explore this story and how they came together as lovers, performed the heiros gamos, or sacred marriage, which wedded man and goddess (or the human and divine) and assured fertility across the land for both people and the vegetation that sustained them.

inanna and dumuzi

Inanna personified the heirodule or holy servant, sometimes known as the sacred prostitute. This is a term that seems like an oxymoron to us now, but in ancient goddess-loving times the sacred and the sexual were not separate, they were one–whole and holy. As part of this upcoming e-course on Inanna, we will be exploring our own sacred sexuality and what it means to let go and love–ourselves or another.

Click here to listen to a 10-minute audio talk on:  The Sacred Prostitute

When Inanna heeded the call to go down to the Underworld to meet her sister, Erishkigal, the Dark Goddess, she did so against everyone’s advice. After all, no one had ever returned from the Underworld. But Inanna was determined, and so she went down, dressed in full queenly regalia and let go of each precious item as she descended the 7 levels until she stood naked before her sister, her own dark mirror.


Her journey is one of letting go, of releasing the things that define us in the outer world, but which have little to do with who we are on an inner level — as spiritual beings on a human journey. And when she rises from the Underworld, Inanna, transformed, reclaims her power in a new way. We will learn how to make our own Underworld journey with conscious intention, how to let go of ego trappings, and and how to transform our wounds and reclaim our True Self.

This letting go could also be applied to the journey into ourselves and our own sacred sexuality and the experience of the ultimate letting go, the cosmic release — orgasm. One of the bonuses of this course will be lessons on the Wisdom of Orgasm by Diva Carla, a coach and teacher of sacred pleasure. So, join us for this enlightening and empowering journey to meet the Goddess Inanna, where we will learn to meet ourselves as sexual, instinctual, creative, transformative, powerful feminine beings.

“The Spirit of the Valley never dies;
This is called the dark feminine.
The doorway into the dark feminine
Is called the root of heaven and earth.
It is there within us all the while;
Draw upon it as you will, it never runs dry.”
~ Tao Te Ching 6


Click here to enroll in this affordable e-course that lasts for one full lunar month starting on April 29, and includes an e-book, audio, and video files as well as sharing in a secret Facebook group of like-minded women: 2014 New Moon Goddess Mystery School

Note: You can join us for just the Inanna e-course or the next three e-courses of the 2014 New Moon Goddess Mystery School, that include the goddess archetypes: Inanna (Spring), Artemis (Summer), and Cerridwyn (Fall).


How might it help us to work with goddess archetypes?

The myriad goddesses that were once revered by peace-loving people who worked together in agrarian societies provide mirrors of womanhood and femininity in a patriarchal world that tends to define women using decidedly masculine standards. This is done by either stereotyping, pigeonholing, or putting women in their place i.e., in a less equal status since the patriarchy places such a high value on hierarchy and competition.

By understanding and working with feminine archetypes of the goddesses that are found in every culture and corner of the world, we are able to explore the many and varied aspects that make women singular and distinct from men at the same time that we are able to celebrate our shared humanity. By exploring the qualities and attributes that the goddesses carried, we can learn much about ourselves and how to integrate these various aspects — both human and divine — as modern women. The goddess archetypes are useful models of feminine power and divinity that can help us with our own personal growth and individuation here on planet Earth in the 21st century.


New Year’s Journey: A Gift For You

Posted By on January 19, 2014


I invite you to take a journey with me as we stand at the crossroads of past, present and future. January, named after the Goddess, Jana, who is seen with two faces looking backwards and forwards, refers to the doorway of the New Year. It is the perfect time to review the past, take stock of the present, and look ahead to the future.


I recently facilitated a 2014 Vision Board Playshop and I’m sharing the worksheet and guided journey with you here.  As part of this meditation, you will review the year 2013, become aware of who and where you are now, and envision 2014 rolling out before you, including selection of a word of the year. I recommend printing out the PDF of the work sheet, which you can download here: WORKSHEET

Then listen to my guided meditation, designed to allow you to fill out your worksheet as you go. Click here to download MP3: GUIDED JOURNEY

Next, create a vision board, a poster collaged with images and words, based on your discoveries to set your intentions for the New Year.

Vision boards are easy to do. All you need is a collection of words and images culled from magazines, cards, and other ephemera that inspire or reflect you and your dreams, scissors, glue and poster board (I like foam core for its sturdiness).  I think it’s always good to include at least one photo of yourself since it is your vision. Any other fun embellishments you want to use like paint, glitter, and bling are fair game. I like to buy stick-on letters to form words I can’t find and want to add to my board.

My 2014 Vision Board - Can you guess what is my word for the year?

My Vision Board – Can you guess my word for the year?
It rhymes with go…

I hope your New Year’s vision includes journeying with me and a group of magical women from around the world for my 2014 New Moon Goddess Mystery School. It is designed to be an enriching and inspiring e-course for women who want to learn more about the mysteries and lore of goddess archetypes and what they can teach us about our own feminine mind, body, soul and spirit. This course will be delivered to your email box four times a year and you can join in the conversation if you wish by joining our secret Facebook group (although this is not required).


We start our work with the Celtic Goddess Brigid on the Aquarius New Moon on January 30, 2014. Among other things, she is an oracular goddess who was able to intuit things to come. This is the ideal time to ask questions, draw oracle cards or use other divination tools, and seek answers. Who is your goddess guide of the year? What animal will be your ally this year? Discovering these guides and helpers is a great way to fortify yourself as you step through the doorway into the Unknown of the New Year.

Brigid has many surprises in store and is waiting for you to meet her. You can join us to learn about one goddess or all four goddesses as we circle around the Wheel of the Year, meeting a new goddess on a new moon in each of the four seasons. Click here to learn more and to register: 2014 NEW MOON GODDESS MYSTERY SCHOOL


Candlemaking & The Goddess Brigid

Posted By on December 8, 2013

In preparation for the holiday season, Brigid’s Day on February 2, and the launch of the 2014 New Moon Goddess Mystery School, here is a video I made with Kate Stockman about how to make rolled beeswax candles. Creating candles is a great way to set your intentions for the New Year, and they make for beautiful and thoughtful gifts.

I hope you will join us for the newest Goddess Temple e-course that starts on the New Moon in Aquarius on January 30, 2014, when we meet and work with the Celtic Triple Goddess, Brigid, whose official day is February 2, the same as the cross-quarter day, Imbolc and Candlemas. Watch the video for more information about what this goddess is about and join the Goddess Temple to be a part of it and learn the mysteries of Brigid, Inanna, Artemis and Cerridwyn on four new moons in each of the four seasons of the New Year. There’s still time to get the early bird price for the series if you register by December 21, 2013: New Moon Goddess Mystery School

Download your pdf about bee and honey lore here: Beeswax Candle Making Playshop

Go here to find the resource links for ordering candlemaking supplies (at bottom of page) as well as essential oils and herbs: Resources



How to Work With Goddess Archetypes & Manifest Your Dreams

Posted By on November 16, 2013

I am often asked: How do you work with a goddess archetype? and How might it help to work with a goddess? So I’m offering three steps to help you align yourself with the divine feminine and bring forth your innermost dreams and desires. Is it inner peace you want? prosperity? a relationship? to find your soul’s purpose? Or maybe you need healing or help with a problem? Perhaps you would like to manifest a new job or a new home… Anything your heart desires can be yours when you tune in and create an opening for Spirit to come through and for magic and miracles to happen.

Working with goddess archetypes allows us to see a bigger vision for ourselves and it helps us feel nurtured, loved and cared for. By seeing goddesses as reflections of ourselves, we are connecting with our own inner divinity. The Goddess, the Sacred Feminine, the deity of a loving Mother being reflected back to us is missing from the patriarchal power structure and most religions, and it’s time we reclaimed Her.

The Mirror of Venus by Edward Burne Jones

I have found in my personal life as well as in my business as a therapist, writer and teacher, the more I have embraced the goddess and worked with the powerful archetypes that abound in every culture and corner of the world, the more I have felt free and nurtured to do my soulwork and shine.

Working with goddess archetypes is something you can easily do for yourself on a daily basis. You are essentially tuning in to your inner guide, therapist, teacher or, Goddess–your higher Self, the Wise Woman, the part of you that really does know what’s best for you and wants what’s best for you. She’s the Good Mother, who would do anything to help her daughter see that she is worthwhile, that her thoughts and feelings matter. The Good Mother supports and encourages her daughter to keep going and follow her heart, to take leaps and put herself out there. This is the kind of mother who’s got our back, she’s rooting for us, she trusts in our ability to accomplish our dreams, and she loves us unconditionally.

The Madonna of the Lillies by William-Adolphe Bouguereau

Choosing to work with the archetype of the Great Mother is especially important for those of us who have a mother wound, meaning we were wounded in our relationship with our personal mother who may not have known how to nurture us or give us what we needed, and who may have even harmed us through neglect, abandonment or abuse. We can create a new mother-daughter relationship on an inner level by aligning with a goddess archetype that we resonate with.

Demeter and Persephone

There are three steps to working with goddess archetypes that I find to be the most practical and empowering:

Step 1: Find a goddess archetype you resonate with and want to work with. There are hundreds of goddesses in every culture and corner of the world. You may have grown up knowing about one or two that you feel you already have a relationship with and want to work with more closely. For many in our western culture, this is Mary, the mother of Jesus, who stands in for the ancient goddesses of old. I do believe Mary is a miracle worker and those who align with her and put their trust in her often receive abundance, healing, and good fortune that they never knew before.

Compassionate Kali

Part of the fun of working with goddess archetypes, at least for me, is exploring their different natures and attributes and seeing who I resonate with and need help from at a particular point in time. You may find an obscure goddess that you want to explore and research. There’s usually a good reason why you are drawn to one goddess or another that has to do with your own soul’s yearning. Trust this process and allow whatever goddess comes to be with you for a while and see what she has to offer. It’s much like finding a mentor. I have gotten to know a number of archetypes in the past 10 years or so of serious study and relationship with the Divine Feminine and I am always eager to meet a new goddess when the time is right. If you explore my blog, you will find descriptions of many of these goddesses.

Diana of the Hunt by John Byam Shaw

You want to look for a goddess that carries the archetypal energy that you are looking to manifest or align with. For example, if you want to bring in more money, you might choose to work with Lakshmi, the Hindu goddess of abundance and good fortune. If it’s love you want, you could work with Aphrodite, also known as Venus, or one (or both) of the Two Marys (the Virgin Mary and Mary Magdalen). For peace of mind and healing, you might choose Mary or Quan Yin or Tara. If you are embarking on a creative endeavor or wanting to embrace a more creative lifestyle, you could choose to work with any of the mother goddesses. These are the goddesses of fertility and creativity, such as Aphrodite, Brigid, Demeter, Yemaya, Bona Dea, Anu, Saraswati, and Spider Woman or Grandmother Spider.

Kwan Yin

When I was working on my soulwork book, In the Lap of the Goddess, Connecting With the Divine Feminine, I learned about creative flow by working with the West African mermaid goddess, Yemaya. I had never tried to write and self-publish my own book, so I felt nervous and unsure of myself initially. Yemaya became my goddess guide, and she was also featured in the book as a Creator goddess. However, I found that as much as she inspired me to tap into my Creatrix self, I first needed to destroy some old thoughts and beliefs that were getting in the way–you know, those two naysayers, Fear and Doubt?

So I called in Kali. She’s the Hindu goddess of destruction, and despite her frightening appearance, she is a compassionate mother goddess who helps us slay the demons like fear and doubt and feelings of not being enough. My work with Kali helped me burn up the obstacles that were getting in the way, so that watery, creative Yemaya could flow through me like a river.

Step 2: Bring Her to life. You can start by finding or creating images of the goddess you choose to work with. As I put together my workbook I surrounded myself with images of Yemaya. I created a mermaid wall, made a Yemaya paper doll, and created SoulCollage® cards of Her. She was by my side as I worked, literally next to my computer so I could see her and be inspired by her fertile, ever-flowing, creative energy. I made Her presence known. I highly recommend creating an image of Her by collaging, drawing, painting or sculpting Her because then you are truly fashioning Her from your own hands and heart.

Another way to get to know Her is through shamanic journeying or guided journeys. There are free guided journeys to meet five goddesses on my website here. You can get to know the goddess you align with through meditation and prayer, and by opening up to messages from her by asking questions and sitting quietly to receive divine inspiration and direction. You can also do this through active imagination exercises such as creating a dialogue with Her in your journal. Write down a question and wait for the answer. Try writing Her answer with your non-dominant hand so you are more likely to bypass the logical, left brain and tap into your intuitive, right brain wisdom. Let it flow through you.

When I got stuck or wasn’t sure what to do next while creating my workbook, I would turn the problem over to my creative helper, Yemaya. I asked for help, and you know what? It always worked. She always came through. Yemaya was my midwife in birthing that project, which led to my creating e-courses and workshops. One thing flowed into another.

When I turned over the need to know and do everything a certain way and allowed new ways and answers to come, to flow through me, it happened. I was constantly amazed that when I felt blocked or discouraged, if I just sat with it, journaled with it, asked for help, it came. The divine inspiration happened because I was aligned with Her and I trusted Her to see me though the creative process. I Let go, and Let Goddess. And as the creative juices flowed, so did sacred abundance.

Step 3: Create an altar to Her. This is a powerful tool because you are setting up a place to honor Her and a place to go and connect with Her. This is where you can get clear about your heart’s desire. If it’s abundance you want, be specific about what kind and how much you need, while at the same time staying open to surprise and how it might show up. Envision yourself already attaining it. Put these requests, dreams and desires into a container on your altar such as a dream box or wish jar.

Make your altar a beautiful reflection of Her and You. Include gems, crystals, stones, herbs, plants, flowers, feathers, candles, totems, elements of earth, water, fire, air, figurines and anything that feels symbolic of the goddess and the divine feminine abundance you are wanting to create for yourself. This is also a place to put the images or creations you have lovingly made of Her.

Sit at this altar everyday, even if only for 5 minutes. Offer a prayer, ask for help, express gratitude, write in your journal, draw oracle cards, and stay open to Her presence. By the way, this altar could be on your desk, on a shelf, a table, or outdoors in nature. It can be makeshift and portable if necessary. Make it work for you.

Yet another way to work with goddess archetypes is to take my e-courses. I would love to have you join me and a group of magical women from around the world for next year’s 2014 New Moon Goddess Mystery School, where we will work with four goddesses, Brigid, Inanna, Artemis, and Cerridwyn, over four new moons during the four seasons. To learn more and to register, click HERE.

In addition, there are 10 goddesses which you can learn about through my self-study e-courses available HERE and HERE.

I don’t know if you’ve figured it out yet, but by honoring a goddess in these ways, you are honoring the goddess in you.

May the Goddess bless you and help you bring about your fondest dreams and desires.

“I found god in myself and I loved her,

I loved her fiercely.” – Ntozake Shange



Priestess Pilgrimage

Posted By on October 19, 2013


It has been too long since I posted here. I find that when I am holding space for my Goddess Temple e-courses, which I did over three moons this summer, and traveling to faraway places, it is not easy for me to gather my thoughts and emotions in writing as I need contemplative time.

My friend, Susan Wells, a magical potter who has been channeling Mother Mary as she works her alchemy with clay, posted a new offering of a “Contemplative Cup,” and I knew I had to have one. Sure enough, drinking my new favorite tea, Iron Goddess of Mercy (She is Quan Yin, another form of Mary) in this wood-fired vessel has helped me ground into my being. I am starting to make sense of the many images and ideas, forms and feelings, that have been bubbling in the cauldron in both my waking and dreaming state. So please, pour a cuppa tea and join me in my reminiscing…

At the end of my New Moon Goddess Mystery School in early October, I jetted off to England on a two-week journey with 11 sisters. As with my Goddess Pilgrimage last year to Greece, once I had arrived, I crossed the threshold into liminal space. A sense of timelessness set in, where past, present and future meet at the crossroads. This is the Crone Goddess Hecate’s hangout, where I seem to find myself again and again at this stage of my life.

It seemed no accident that these particular women were also meeting at the crossroads at this particular time to walk upon the soil of our ancestors and to revisit the sacred sites of England we knew in our sense memory. As I had felt on last year’s pilgrimage, I had been here before as a priestess and I am returning to remember, to be the hollow bone for spirit to flow through, to move through the spiral dance of life on the body of the Great Mother. For that is the job of the priestess: To act as mediator between the human  and the divine, to hold sacred space, and to be a vessel of transformation for herself and for others.

The journey began with a reunion with my dear friend, Sarah Jane, in London and a visit to the British Museum, where we beheld these goddesses, all sacred to me. Meeting them in the whirlwind of the first three days in London was an initiation of sorts. They seemed to give us their blessings for the journey ahead…

Sekhmet, Fiery Egyptian Crone Goddess of Destruction and Healing

Inanna/Ishtar, Sumerian Queen of Heaven and Night, an Underworld traveler

Golden Tara (one of 21 Taras), Tibetan Bodhisattva who enables us to manifest and fulfill our life’s purpose

 Aphrodite (Venus), Mother Goddess of Love and Beauty

Nine of us (two would meet up with us along the way) set out for the standing stones, first Stonehenge and then Avebury, on our way to Glastonbury. Stonehenge is stunning, but it felt removed, as it has become more like a museum now. When I first visited these stones in 1976, there were no ropes or barriers and I could lean my back again the sarsens and watch the sun came up through a stone gateway. Now they are protected and must be viewed from afar. Still, I can easily imagine how these magnificent stones once provided an outdoor arena, of sorts, where people gathered millennia ago, performing rituals of celebration, worship, or perhaps burial. It is clearly a monument to the earth and sky, the sun and moon, and the great wheel of the seasons.


From there we traveled to Avebury, the largest group of existent standing stones (actually comprising three stone circles) that surround the quaint village of that name. These we could walk amongst, touch, sit on, and feel their warmth, the subtle vibration of lifetimes lived here. The day was spent ambling around the village, stopping in a grove of beech trees whose roots were exposed in a dazzling display of interconnectedness.

Late in the afternoon, we gathered on the top of West Kennet Barrow, a long mound that housed a tomb. We sat on top of it in a circle, sharing our stories and what brought us to this point. Then we formed a line and entered the tomb, circling underground, offering prayers and songs of gratitude to the ancestors who whispered their thanks to the priestesses who honored their all-but-forgotten labors.

From Avebury we traveled to Glastonbury, the heart of our pilgrimage, where we stayed at the Chalice Well Inn for four days. The Inn is like a small monastery with a beautiful well-tended garden where the Chalice Well is nestled, fed by an iron-rich, red spring, that produces a delicious, iron-oxidized water, that I believe had a healing effect on me. On the first night there, we circled around the chalice well and offered blessings and prayers for the healing of our Mother Earth, to the wounded feminine and masculine, and to the energy of the Well Maidens who once guarded the waters and provided sustenance from a golden cup to wayfarers who happened upon them. These Goddesses of the Wells were considered sacred and the kings and knights of old Britton were bound to protect them in a chivalric manner for thousands of years until one day the tradition was broken by a king named Amangon. He and his men raped some of the maidens and took the golden chalice, symbol of the divine feminine. The maidens disappeared, the kingdom became a wasteland, and thus the search for the Holy Grail began.

We learned that there were two springs here, the red and the white, that once joined and flowed together, but that have since been divided. Their source was the tor, the hill that overlooks Glastonbury. The tor is an unusual geological formation, a rain-fed aquifer that formed a type of underground vessel like the alembic of alchemy. In the bottom of the alembic, the heavier shale and limestone holds the iron-saturated water of the red spring. The top of the alembic contains the calcium-rich waters of the white spring, whose flow fluctuates much more unpredictably than the steady surge of the deeper red spring. Both flow in the same direction towards the Chalice Well, but the white spring has been diverted by man so that it no longer joins the red spring.

As Nicholas Mann and Philippa Glasson describe it in The Red & White Springs of Avalon, “The Red and White Springs, emerging out of their never-failing, world-mountain source, added to the potency of the extraordinary, otherworldly landscape [of Avalon]. The great mysteries of life and death, of the divine masculine and feminine, of queenship and kingship, the nature of goddess and god, and of the journey between this world and the next–are all evoked by the striking polarity of the two springs. Through them, the pilgrim can connect with powerful initiatory symbols: the Philosopher’s Stone, the Holy Grail, the Cauldrons of Plenty and of Rebirth, and Excalibur, the Sword of Sovereignty. Most importantly of all, the Entrance to the Otherworld was said to be located on this ‘Fortunate Isle,’ the mysterious ‘Isle of Glass’ that became known as Avalon.”

Could it be that the duality that we have known since the end of the goddess-loving times and the beginning of the patriarchy will be resolved when the two springs run together again? In alchemy, from the black nigredo of the earth comes the white albedo of the water, which, when mixed with the red rubedo of fire creates an interplay that results in the sacred marriage of the divine feminine and masculine, the magnum opus that is the Philosopher’s Stone, the Holy Grail, or the Divine Child. As Mann and Glasson put it, “By hastening the release of human consciousness from identification with dualism, and by learning to transmit radiant streams of the elixir-like energy of love-wisdom from the portal opened by the opus, the alchemized soul learns to connect with and honor all beings.”

The beautiful wrought-iron lid of the Chalice Well contains rich symbolism of these two worlds meeting in the form of the vesica piscis, two overlapping circles that form a mandorla, or almond-shaped yoni in the center. This is the vulva or birth opening of creation, where opposites unite, and which is, in itself, a portal to the Otherworld that Avalon represents.

From the Chalice garden, the tor can be seen rising up from what once was an inland sea, known as Ynys Witrin or the “Isle of Glass,” thought to have been the center of the mystical Isle of Avalon.

We struck out in the early morning, shrouded in mist, able to see only a few feet in front of us as we climbed higher into the clouds, seemingly compelled by an invisible force urging us onward.

It was easy to see how this nemeton could be perceived as the axis mundi, or world axis, which connected the above and below, and from which the cosmos revolved. As Mann and Glasson describe it, “The implicit invitation to the Avalonian pilgrim [is] to be guided by this sacred geography towards a profound understanding of the place of humans within the cosmos. When these natural and man-made features are considered in their entirety, they reveal that the Isle of Avalon possesses an extraordinary genius loci, a spirit of place where the veil between the worlds, between the solar, the terrestrial and the daemonic realms, dissolves; a place where the anima mundi or world soul, connects with the life of the individual soul to provide healing and initiation.”

After our magical time here amid much tears and laughter, a smaller group of us continued on to the wild coast of Cornwall, a region I have longed to see since I first read the gothic fiction of Daphne DuMaurier as a young girl. We stopped in the picturesque town of Boscastle to visit the Museum of Witchcraft, where my favorite exhibit was a dark mirror that seemed to hold an infinity of dark reflections. What stories could it tell, I wondered. Could this have been the mirror that the evil queen in Snow White used to ask, “Mirror, Mirror, on the wall, Who’s the fairest of them all?”

 And then on to Tintagel Castle on the high cliffs above the Celtic Sea. This is where King Arthur was said to have been born. And Merlin’s Cave beneath it, where priestesses gathered and looked out to the sea on one side and the sand on the other, glimpsing fairy lights and rainbows about us. Was that the chuckling of Merlin we heard or the lapping of the sea upon the stones?

And finally, one last magical day in St. Nectan’s Glen, a place where fairies and spirits abound, and where I sensed the presence of my mother, who met me in the realm of the imagination and encouraged me to believe in things unseen, and my father, who also stoked the fires of my imagination and taught me playfulness.

The seven of us priestesses who were left were like little girls playing in the forest on the last day of our journey. We reluctantly said good-bye to this ancient land and spirit and stepped back across the threshold toward home.

I’m ready for another cuppa tea. How about you?

Much love and gratitude to my priestess sisters, Pixie Campbell, Sarah Jane Owen, Christine Mason Miller, Clarity Beaumont, Jennette Nielsen, Latisha Guthrie, Erin Faith Allen and Poppy, Lisa Wright, Katariina Agnes Fagering, and Sara Eliason.

What do The Two Marys, Sekhmet and Guinevere Have in Common?

Posted By on July 4, 2013

Until I started creating my latest e-course, The New Moon Goddess Mystery School, I might have thought these four goddesses had very little in common. I chose them (or they chose me) because of the New Moons occurring this summer: July 8th in Cancer, the watery, feeling sign of the Great Mother, suggested The Two Marys (The Virgin Mary and Mary Magdalen), archetypes and spiritual guides I am familiar with, who teach us about nurturing ourselves. August 6th in fiery Leo, the sign of the Amazon Queen, suggested the great lion-headed Egyptian goddess, Sekhmet, who teaches us about anger and passion. September 5th, earthy Virgo, the sign of the priestess/queen led me to Guinevere (or Gwynhwyfar in the Welsh spelling), who teaches us about the queen aspect missing from the triple goddess of maiden, mother, crone, and about the sacred marriage between the inner feminine and masculine, also known in the mystery schools as the hieros gamos.

The more I have explored and delved into the mysteries of these four archetypes from different times and cultures the more I have been blown away by what they share. Here are some similarities and overlap that I have discovered that you will learn more about in the Mystery School course over the next 3 moons:

They are all queens: The Virgin Mary is known as the Queen of Heaven and is often depicted sitting on her sky throne, the moon under her feet; as the wife of Jesus Christ, would-be King of Israel, Mary Magdalen would have been Queen through the sacred marriage, which in apocryphal lore, was arranged to unite two royal families and end the Roman rule of Jerusalem; Sekhmet is both a goddess and queen, shown on her throne, holding a sceptor and an ankh, ruling over two warring regions of Egypt that eventually made peace; Guinevere was the queen to King Arthur, who brought peace for some time to the warring tribes of Britannia.

They are all virgin goddesses: To be a virgin goddess, in the sense of the ancient mysteries, has nothing to do with sexual abstinence. It speaks to a goddess who is whole or sovereign unto Herself. While these goddesses may be related to masculine counterparts as consort, husband, or son, they have their own power and divinity, separate from them and do not derive their power from them.

Together they make a triple goddess: Guinevere is most often associated with the maiden of spring and rebirth; The Two Marys are both creator mother goddesses; and Sekhmet is most often associated with the crone and the destructive aspect.

Each one has triple goddess aspects: Mary Magdalen is the mother; her daughter, Sarah, is the maiden, and the Virgin Mary is the grandmother/crone; in the Egyptian tripartite goddess, Bastet, the playful cat goddess is the maiden, Hathor, the pleasure-loving cow goddess is the creative mother, and Sekhmet is the destroyer crone; Guinevere is the maiden of Beltane, the mother of Brittania who unites her people at the round table, and the crone who eventually brings the round table to an end.

Each goddess has twin aspects: The Virgin Mary and Mary Magdalene are often seen as two aspects of the one Mary: one divine, the other human; Sekhmet and Hathor are often seen as two sides of the same coin: one destroyer, the other creator; there was said to be a True Guinevere and a False Guinevere, not to mention Guinevere’s dark other half, Morgaine. When we put these goddesses’ two halves together they make a whole, multi-dimensional woman/goddess with light and shadow, human and divine, birth and death features.

Each of these goddesses had a sacred marriage: The Virgin Mary could be said to have had  a sacred marriage to God or the Holy Spirit, although not in any worldly sense; Mary Magdalen had a sacred marriage with Jesus (both Marys are referred to as the Bride of Christ); Sekhmet with Ptah; and Guinevere with Arthur. The hieros gamos wedded man and woman with god and goddess in a holy rite that was widely practiced in the temples of the old world, as part of the ancient mysteries to bring about the sacred union. This not only united the feminine and masculine, but the human and divine, and the goddess to the land and its people (providing protection and fertility).

Each goddess has an association to the lion, an animal that denotes royalty: Jesus was known as the lion of Judah, one of the first tribes of Israel; the lion is a symbol of solar energy, connecting Jesus as the son (sun) of God; Sekhmet was the solar goddess of Egypt with her lioness head and female body; Guinevere was known as the “Lady of Lyonesse,” where she was born, which was also the site of the final battle between Arthur and Mordred.

These are just a few of the commonalities I found between these goddesses and which you will discover, and much more too, when you take The New Moon Goddess Mystery School e-course this summer. It officially starts on July 8, but because these are self-paced courses, you can really start them any time and do them whenever it’s convenient for you. You can also opt to take one, two, or all three New Moon courses.

I hope you will join us as we explore the mysteries of these feminine archetypes and learn how they have meaning for us today.